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Narration: Scientific American Supplement 288

Narration: Scientific American Supplement 288

by John Parker | Sep 30, 2023 | Accent - General American, Narrations, Non-Fiction, Style - Engaging, Voice Age - Adult

Scientific American Supplement 288 by Various Authors Summary The Scientific American may be the oldest continuously published periodical in the United States, havinge launched its first publication in 1845. It has been a mainstay of popular science with in depth...
Narration: See With New Eyes

Narration: See With New Eyes

by John Parker | Jul 28, 2023 | Accent - General American, Narrations, Non-Fiction, Style - Engaging, Voice Age - Adult, Voice Age - Child, Voice Age - Middle Age

See With New Eyes by Ty Gibson Publisher’s Summary The true beauty of God’s character. How many people have turned away from God because they looked for him in a person or a religious group and were disappointed by what they saw? See with New Eyes, by Ty...

AI Assisted Writing: Who is the Villain in this Story?

by John Parker | Jul 13, 2023 | Author Insights

In my AI Pledge, I mention content creators to whom I’ve attributed the notorious moneygrabber label. In the pledge I accept that content creators are welcome to do whatever their desires direct, their skills and budget afford them, and their readers want. And they...

Writing Insight: Creating a Character Map

by John Parker | Feb 16, 2023 | Author Insights, Writing Fiction

Similar to outlining the plot, with a character map, I essentially create a grid of information that helps me ensure I have considered and included important characteristics of each character in a story. I usually develop the plot and character map at the same time,...

Writing Insight: Outlining and Plotting

by John Parker | Feb 6, 2023 | Author Insights, Writing Fiction

After I have a concept I think is story-worthy, and it is a story I want to tell, I start outlining/plotting the story. Yes, that makes me a “plotter” more than a “pantser,” but I’m still somewhere along the spectrum, not all the way to one side. The outlining and/or...
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